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James’s kinky best seller has been awkwardly transformed into a feature film that is part romantic comedy, part erotic melodrama, and pretty much entirely a mess. ‘Fifty Shades of Grey’ (R, 2:04) Under the direction of Sam Taylor-Johnson, E.
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★ ‘Ex Machina’ (R, 1:50) Alex Garland’s slyly spooky futuristic shocker about old and new desires turns on the relationships that bind together a robot called Ava (a terrific Alicia Vikander), the software zillionaire who created her (Oscar Isaac, wonderful) and a visitor (Domhnall Gleeson) who’s seriously out of his depth. ‘Dior and I’ (No rating, 1:29, in French, English and Flemish) An exercise in corporate promotion disguised as a documentary, this pleasant and superficial film follows Raf Simons, Christian Dior’s creative director, as he prepares his first haute couture collection. Set in Calcutta in 1943, “Byomkesh” is rich in atmosphere this is a film more attuned to movie-made ideas of history and style than to history itself.
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Here he gets the full Bollywood treatment - or perhaps half-Bollywood treatment (no songs, no dances). ‘Detective Byomkesh Bakshy!’ (No rating, 2:15, in Hindi) Byomkesh Bakshy, the creation of the writer Saradindu Bandyopadhyay (1899-1970), is a kind of Bengali cousin to Sherlock Holmes. ‘Desert Dancer’ (PG-13, 1:44) This fictionalized biopic about the dancer Afshin Ghaffarian (Reece Ritchie) explores fascinating aspects about present-day Iran (notably a youth underground that thrives despite the repressive government), but suffers mightily from simplistic and sentimental tendencies.
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Mainly, the movie is a showcase for some amazing-looking matzo balls, corned beef and chopped liver and for Ziggy himself, who bemoans the loss of Yiddish culture. Trained in culinary school, he represents the third generation in his family to run such a restaurant, the film says. ‘Deli Man’ (PG-13, 1:31) Heavy on the schmaltz, in all senses, this documentary examines the state of the Jewish deli through David Gruber, known as Ziggy, a founder of a delicatessen in Houston. The shameless piece of boomer bait peddles the highly questionable notion that it’s never too late to get back to where you once belonged. ‘Danny Collins’ (R, 1:46) The bogus title character, played by Al Pacino with a zany nonchalance, is an aging dissolute rock star seeking redemption for his wicked, wicked ways. Much remains the same, however, including a fairy tale that opens with clear skies but soon plays the poor-little-girl blues before you-know-who comes along. ‘Cinderella’ (PG, 1:45) In Disney’s latest version, directed by Kenneth Branagh, the mice stick to squeaking and look about as real as most computer-generated rodents. Even at his shakiest, he holds your attention with stories about characters banding together to emerge from a hell not of their making. ‘Chappie’ (R, 2:00) Frankenstein’s monster gets a titanium makeover in a science-fiction blood-spurter and would-be heartwarmer from the director Neill Blomkamp (“District 9”) that wavers uncertainly between laughter and tears.
The Indian director Vidhu Vinod Chopra embraces visual bombast - white horses, C.G.I. ‘Broken Horses’ (R, 1:41) A violinist, Jakey (Anton Yelchin), returns home to visit his simple-minded friend Buddy (Christopher Marquette) in a violent border town in this wonkily plotted story of corrupted innocence.
This isn’t entertainment it’s life and death.
There is not an operatic flourish to be seen in a film whose killings are executed with a coldblooded efficiency. ★ ‘Black Souls’ (No rating, 1:48, in Italian) This ominous, well-acted portrait of an ingrown feudal society of mobsters in extreme southern Italy is the antithesis of a sensationalist splatter movie.